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The scene attracted fury online, leading to accusations of “insensitivity”. Seriously, of all things for Spidey to do, he gets to hang out. Please write this down someplace for future reference: Deathstroke is an ass.Unlike Stan Lee and Marvel, Andrew Garfield will no doubt be happy about the gay parody. This was the unfun part about writing this character, a guy who should have an even sharper edge than Wolverine. But I had to fight to get that in because of concerns over the character's likeability. Then he goes back and kills the bear's cubs because, to his thinking, it would be cruel to leave them without a mother. In the first issue, Slade kills a bear in order to save his son. I often had to fight City Hall and repeat, ad nauseum, that Deathstroke is a villain. However, pretending this kind of abuse does not go on, when we have an opportunity to responsibly explore and deal with it, would have been, I think, the wrong choice. It's a bit of business that rightfully concerns everyone. In our 'Rebirth' retelling, Deathstroke only kisses Terra (who'd been aggressively coming on to him), and we explore the impact Deathstroke's manipulation has on Terra, who is emotionally scarred because of it. I wish we hadn't shied away from telling it. That's a story worth telling, a story that could help educate and inform rather than pretending this doesn't actually happen.
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I'd have rather dealt with it head-on, exploring the greater ramifications of how this kind of abuse and violation victimizes youth. I'm not sure what good running away from this classic event does. So who were we protecting? The company? The fans? Or were we protecting Deathstroke by shaving edges off of what he is-a reprehensible human being. Mainly because, I promise, 90% of the fans already know the story and little kids don't read Deathstroke. I was frustrated by the insistence we round the edges off of all of that. Not talking about it leaves this cloud lingering over DC, over Deathstroke, over Marv, over me. Excusing Deathstroke's behavior is wrong and stupid. Deathstroke's choices are indefensible.īut painting Terra as a saint is wrong and stupid. Any attempt to rationalize the behavior just blows up in your face. It is kind of unsurvivable in terms of character-you really can't soft-pedal the behavior and continue to root for Deathstroke.
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It frustrates me a little that Deathstroke is so popular these days, and actually has always been super popular with the fans, while so many of them decry this, the moment that literally defined who he is.ĭeathstroke manipulating a young girl is reprehensible. "How can you write that pedophile?!" This business, of creepy old Slade (who, in 1980's version, really did look like he was in his fifties) in bed with a nude teenager (who was also smoking-which actually offended me even more) is the defining moment of the Deathstroke character. This is what I'm asked about most regarding this series, especially by comics readers who remember the Wolfman/Pérez run.